There's been an awful lot of fuss over drones (or quadcopters, or multirotors, or UAVs) lately, and after dipping a toe into flying them, its easy to see why. In full disclosure, I've been flying remote controlled multirotors since the beginning of the year, with small, lightweight, hobbyist aircraft around the Maker Media Lab. While that has been great practice, it's easy to disregard in the larger scheme of things - they're too lightweight to fly outdoors on anything other than a completely still day, and moreover, they're really unlikely to hurt anyone.Read More
I've said for as long as I can recall that rules are around for one reason: To dare you to break them. However, after shooting, editing and publishing videos to the internet for nearly fifteen years, these are the ones that I always come back to when deciding if a piece of content is good enough to hold its own out in the wild, and I've never, ever found a way around any of them. So here they are: The Three Cardinal Rules of Internet Video Production.
Don't Waste Anyone's Time
It's a cliche that time is precious, but it's the most important currency on the web. Respect the time that people spend with your content, and understand that your patience is going to be longer for something you made than anyone else will. If a part lags, cut it. Allow moments for thoughts to develop and sink in, but don't overdo it. If you've shown something, you might not need to say it. Don't repeat yourself. Stay on topic, script, rehearse and revise. This doesn't mean that the internet is no place for long form content - I've made my share, and I'm very proud of it. But make the time people spend with your content worthwhile. They'll thank you for it.
Audio Fidelity is More Important than Visual Quality
This is the one I see overlooked the most. With the ubiquitous nature of cellphone videos capturing everything from citizen reporting to cat videos, or expectation of visual fidelity has dropped quite low - and, the quality of accessible video recorders has risen quite a lot in the past few years. Quality audio recording unfortunately hasn't grown along the same curve, and is one of the first indicators of an amateurish production. Spend time and money on microphones appropriate to your production. Think about how audio sounds in your recording room - hang blankets to soften echoes. And be aware of what's happening in the background. Audiences will stick around through rough footage fi the audio is clear. But if you're shooting on a RED camera and recording audio on a GoPro, people will bail.
You Can't Bullshit the Internet
This is the big one - and it's derived from a quote from Gabe Newell, president of Valve, who understands a little bit about how the internet works. The internet is an amazing collection of intelligent, impatient people who love to call out mistakes, misinformation, and bad advice. As a collective, they are smarter than you. This doesn't the information you have to share isn't valuable - to some, it may well be vital. Do your research, take the time to get it right. If you don't know something, just say it, but don't make a false claim. If you think a joke is tired, then it is. It's okay to be wrong, but never lie. Once you poison your own credibility, you'll never claw it back.
I'll admit, it's pretty far in the rearview, but I never did get around to writing anything about my thoughts on leaving GameSpot, nor about the next step in my career at Make:. Time has a way of clarifying and calcifying intentions, and in this case, have improved my outlook on both.Read More
A few years ago, I'd been asked by my employer to produce a travelogue segment in preparation for the coverage we were doing of an international trade show. I'd tried this a few times before out of my own interest, and I'd always been profoundly dissatisfied with the result. What you want out of a show like this is to have the audience feel like they're traveling right alongside you, catching all the moments, big and small. Together, they tell the whole story.
To do this, you need a small, unobtrusive camera capable or high quality recordings. If your camera is too large, or too complicated, it has too much inertia to get out of the camera bag and have it ready to capture a moment. At the time I was primarily shooting on the Sony FS-100, which meant hauling it out of the bag, attaching lenses and microphones, powering it up, setting exposure and white balance, and framing your shot. You were usually ready to shoot about 90 seconds after the moment you wanted to capture had passed.
I had been working with GoPro Hero 2 cameras quite a bit that year. I was already impressed with their ability to simplify time lapse captures, and they punched well above their weight as pocket B-Roll recorders. Their biggest shortfall has always been audio capture - there's no getting around it, their internal microphones are useless for anything other than scratch for audio sync. I was rummaging around our storage room and had found a small, powered condenser shotgun mic and a mounting bracket. After a few tests, I knew I was in business.
The beauty of this setup was its size and weight. It was lightweight enough to take with me everywhere, along with additional batteries and chargers, and it was small enough to always stay at the top of my bag. The Hero 2 powered up relatively quickly, so I was only 15-20 seconds from recording at any given moment. The ultra-wide FOV of the camera was both a blessing and a curse - I could be sure that if the camera was even roughly facing my subject, they would be in frame. But once I got to editing, I realized my compositions were always missing the mark, a drawback of not having a monitor for feedback. Fortunately, I was shooting in 1080p to deliver in 720p, so I always had some extra pixels to crop with, and was able to fix compositions in post.
The lack of a monitor presented another advantage that I hadn't anticipated. I knew that I wanted a camera that would disappear in situations with my travel mates. As such, I'd suppressed all of the recording lights on the camera. The only indicator that it was powered or recording was the LCD counter on the front panel. It also meant that I, as the camera operator wasn't distracted by the camera either. Because I wasn't worried about my composition, I was able to fully engage with my subjects in conversation. Because I was fully engaged, so were they, and the camera disappeared in both of our minds. I had a tool that enabled me to bring the audience the same intimacy that I had to any situation.
You can watch the video, Destination: Gamescom, below.
And, my shooting setup:
- GoPro Hero 2 Camera
- MegaGear Mini External Stereo Microphone
- Heavy Duty External Hot Shoe Bracket
- GoPro Tripod Mount
You can build a similar setup for a modern GoPro camera (I'd recommend it, the new cameras are a massive visual upgrade), but the Hero 3 and 4 cameras lack the 3.5mm audio jack. You will need to purchase the $20 adapter cable that plugs into the USB connector to use an external microphone.